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Quinta-feira, 21 de abril de 2011. O Panaca (1979) Legendado Ficha Tecnica.American Horror Story: Asylum is the second season of the American FX horror television series American Horror Story, created by Brad Falchuk. Blake Sheldon was cast in the dual role of Devon and Cooper, both described as. Download safe los miserables chileat TreeTorrent with new service. The Pirates of Penzance - Wikipedia, the free encyclopedia. Drawing of the Act I finale. The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. The opera's official premiere was at the Fifth Avenue Theatre in New York City on 3. December 1. 87. 9, where the show was well received by both audiences and critics. He meets Mabel, the daughter of Major- General Stanley, and the two young people fall instantly in love. Frederic soon learns, however, that he was born on the 2. February, and so, technically, he has a birthday only once each leap year. His indenture specifies that he remain apprenticed to the pirates until his . The opera was performed for over a century by the D'Oyly Carte Opera Company in Britain and by many other opera companies and repertory companies worldwide. Modernized productions include Joseph Papp's 1. Broadway production, which ran for 7. Tony Award for Best Revival and the Drama Desk Award for Outstanding Musical, and spawning many imitations and a 1. Pirates remains popular today, taking its place along with The Mikado and H. M. S. Pinafore as one of the most frequently played Gilbert and Sullivan operas. Background. At the time, American law offered no copyright protection to foreigners. After the pair's previous opera, H. M. S. Pinafore, achieved success in London in 1. American companies quickly mounted unauthorised productions that often took considerable liberties with the text and paid no royalties to the creators. Sullivan had written a comic opera called The Contrabandista, in 1. British tourist who is captured by bandits and forced to become their chief. Gilbert had written several comic works that involved pirates or bandits. In Gilbert's 1. 87. Princess Toto, the title character is eager to be captured by a brigand chief. Gilbert had translated Jacques Offenbach's operetta Les brigands, in 1. Bang was mistakenly apprenticed to a pirate band as a child by his deaf nursemaid. Also, Bang, like Frederic in The Pirates of Penzance, had never seen a woman before and felt a keen sense of duty, as an apprenticed pirate, until the passage of his twenty- first birthday freed him from his articles of indenture. He then returned to London. Carte formed a new partnership with Gilbert and Sullivan to divide profits equally among themselves after the expenses of each of their shows. Ryley as Sir Joseph, Blanche Roosevelt as Josephine, Alice Barnett as Little Buttercup, Furneaux Cook as Dick Deadeye, Hugh Talbot as Ralph Rackstraw and Jessie Bond as Cousin Hebe, some of whom had been in the Pinafore cast in London. They then tailored their operas to the particular abilities of these performers. For until then no living soul had seen upon the stage such weird, eccentric, yet intensely human beings .. He sought naturalism in acting, which was unusual at the time, just as he strove for realistic visual elements. He deprecated self- conscious interaction with the audience and insisted on a style of portrayal in which the characters were never aware of their own absurdity but were coherent internal wholes. When he arrived in New York, however, he found that he had left the sketches behind, and he had to reconstruct the first act from memory. Tillett and Spencer, 2. Gilbert and Sullivan had planned all along to re- use . They argue that Sullivan's having the unpublished Thespis score in New York, when there were no plans to revive Thespis, might not have been accidental. In any case, on 1. December 1. 87. 9, Sullivan wrote a letter to his mother about the new opera, upon which he was hard at work in New York. After a reasonably strong first week, audiences quickly fell off, since most New Yorkers had already seen local productions of Pinafore. On the one hand, Penzance was a docile seaside resort in 1. The cast, which was performing Pinafore in the evenings in Torquay, received some of the music for Pirates only two days beforehand. Having had only one rehearsal, they travelled to nearby Paignton for the matinee, where they read their parts from scripts carried onto the stage, making do with whatever costumes they had on hand. The music is infinitely superior in every way to the Pinafore . I think that in time it will be very popular. After a strong run in New York and several American tours, Pirates opened in London on 3 April 1. The biographer Michael Ainger, however, doubts that Gilbert intended a caricature of Wolseley, identifying instead General Henry Turner, uncle of Gilbert's wife, as the pattern for the . Gilbert disliked Turner, who, unlike the progressive Wolseley, was of the old school of officers. Nevertheless, in the original London production, George Grossmith imitated Wolseley's mannerisms and appearance, particularly his large moustache, and the audience recognised the allusion. Wolseley himself, according to his biographer, took no offence at the caricature. The pirates' maid of all work, Ruth, appears and reveals that, as Frederic's nursemaid long ago, she made a mistake . The pirates know better and suggest that Frederic take Ruth with him when he returns to civilisation. Frederic announces that, although it pains him, so strong is his sense of duty that, once free from his apprenticeship, he will be forced to devote himself to the pirates' extermination. He also points out that they are not successful pirates: since they are all orphans, they allow their prey to go free if they too are orphans. Frederic notes that word of this has got about, so captured ships' companies routinely claim to be orphans. Frederic invites the pirates to give up piracy and go with him, so that he need not destroy them, but the Pirate King says that, compared with respectability, piracy is comparatively honest (! The pirates depart, leaving Frederic and Ruth. Frederic sees a group of beautiful young girls approaching the pirate lair, and realises that Ruth misled him about her appearance (! You have deceived me! Sending Ruth away, Frederic hides before the girls arrive. The girls burst exuberantly upon the secluded spot (. Frederic reveals himself (! One of them, Mabel, responds to his plea, chiding her sisters for their lack of charity (. She offers Frederic her pity (. The other girls discuss whether to eavesdrop or to leave the new couple alone (. Mabel warns the pirates that the girls' father is a Major- General (. He appeals to the pirates not to take his daughters, leaving him to face his old age alone. Having heard of the famous Pirates of Penzance, he pretends that he is an orphan to elicit their sympathy (. The soft- hearted pirates release the girls (. His conscience is tortured by the lie that he told the pirates, and the girls attempt to console him (. The Sergeant of Police and his corps arrive to announce their readiness to arrest the pirates (. The girls loudly express their admiration of the police for facing likely slaughter at the hands of fierce and merciless foes. The police are unnerved by this but finally leave. Left alone, Frederic, who is to lead the police, reflects on his opportunity to atone for a life of piracy (. They have realised that Frederic's apprenticeship was worded so as to bind him to them until his twenty- first birthday . Frederic is convinced by this logic and agrees to rejoin the pirates. He then sees it as his duty to inform the Pirate King of the Major- General's deception. The outraged outlaw declares that the pirates' . They agree to be faithful to each other until then, though to Mabel . Mabel steels herself (. They muse that an outlaw might be just like any other man, and it is a shame to deprive him of . The police hide on hearing the approach of the pirates (! The girls come looking for him (. The pirates leap to the attack, and the police rush to the defence; but the police are easily defeated, and the Pirate King urges the captured Major- General to prepare for death. The Sergeant has one stratagem left: he demands that the pirates yield . Ruth appears and reveals that the pirates are . The Major- General is impressed by this and all is forgiven. Frederic and Mabel are reunited, and the Major- General is happy to marry his daughters to the noble pirates after all. Musical numbers. Finale Act I (Mabel, Kate, Edith, Ruth, Frederic, Samuel, King, Major- General, and Chorus). Finale, Act II (Ensemble). The Herald took the view that . It demands a closer attention to the words . The music is fresh, bright, elegant and merry, and much of it belongs to a higher order of art than the most popular of the tunes of Pinafore. Sullivan's music we must speak in detail on some other occasion. Suffice it for the present to say that in the new style which he has marked out for himself it is the best he has written. Sullivan, and vice versa, is a fact universally admitted. One might fancy that verse and music were of simultaneous growth, so closely and firmly are they interwoven. Away from this consideration, the score of The Pirates of Penzance is one upon which Mr. Sullivan must have bestowed earnest consideration, for independently of its constant flow of melody, it is written throughout for voices and instruments with infinite care, and the issue is a cabinet miniature of exquisitely defined proportions. Pinafore, cannot be denied; it contains more variety, marked character, careful workmanship, and is in fact a more finished artistic achievement . Sullivan's music is sprightly, tuneful and full of 'go', although it is certainly lacking in originality. It follows the pattern of most Savoy opera overtures: a lively opening (the melody of . The critic Rodney Milnes describes the Major- General's Act II song, . Jacobs suggests that Berlioz's La damnation de Faust, a great favourite in Sullivan's formative years, may have been the model for Sullivan's trademark contrapuntal mingling of the rapid prattle of the women's chorus in Act I (. 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Vronsky is emotionally devastated by her death and volunteers for a 'suicide mission' in the Balkan war. While travelling to join his regiment, he encounters Konstantin Levin at the train station. Levin has married Vronsky's former (and unrequited) sweetheart, Princess . Levin attempts to persuade Vronsky of the value of life. Vronsky, however, is now despondent, and can only speak of how Anna's body looked at the railway station when he arrived to see her. They separate, and Levin is left sure that he will never see again Vronsky, while the train departs. Levin returns to his family. At home, he writes the events of everything that happened, and signs his manuscript: . Casting was made by Marion Dougherty, casting director of Warner Bros. Screenplay was written by British writer/director Bernard Rose. The film was a joint production by Icon Productions and Warner Bros. The film has an international cast with the participation of Russian cast and additional crew from Trite Studio and the Lenfilm Studios in St. Filming was done entirely in Russia between February and August 1. Main filming locations were in St. Petersburg; at several of the palaces of Russian Tsars as well as historic mansions of Russian Nobility, such as The Winter Palace, Peterhof, Menshikov Palace, Yusupov Palace and other locations. Several minor scenes were filmed in Moscow, Russia. Director's Cut. The original director's cut was not released to the public; it was reduced from 1. Warner Bros. The US theatrical premiere was in April 1. European premiere in May 1. Several DVD editions in Europe are variants of this title: . Petersburg Philharmonic Orchestra under the baton of Sir Georg Solti. The score was recorded in The St Petersburg Philharmonic Hall, where Tchaikovsky's Symphony No. Incidentally, this symphony is played most prominently in key scenes from the film. 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The album is influenced by American and Irish roots music, and depicts the band's love. Recording began in January 1. Ireland, and to foster a relaxed, creative atmosphere, the group recorded in two houses, in addition to two professional studios. Several events during the sessions helped shape the conscious tone of the album, including the band's participation in A Conspiracy of Hope tour, the death of roadie Greg Carroll, and lead vocalist Bono's travels to Central America. Recording was completed in November 1. January 1. 98. 7. Throughout the sessions, U2 sought a . They represented this in the sleeve photography depicting them in American desert landscapes. The Joshua Tree received critical acclaim, topped the charts in over 2. UK. According to Rolling Stone, the album increased the band's stature . It produced the hit singles . The album won Grammy Awards for Album of the Year and Best Rock Performance by a Duo or Group with Vocal in 1. The group supported the record with the Joshua Tree Tour throughout 1. Frequently featured on critics' lists of the greatest records, The Joshua Tree is one of the world's best- selling albums, with over 2. U2 released a remastered edition of the record in 2. In 2. 01. 4, it was deemed . U2 began writing new material in mid- 1. Unforgettable Fire Tour. I saw the spoiled child of the Western world. I started thinking, 'They may have a physical desert, but we've got other kinds of deserts.' And that's what attracted me to the desert as a symbol of some sort. When Richards and Jagger played blues, Bono was embarrassed by his lack of familiarity with the genre, as most of U2's musical knowledge began with punk rock in their youth in the mid- 1. Bono realised that U2 . This inspired him to write the blues- influenced song . I wrote words on the microphone. For The Joshua Tree, I felt the time had come to write words that meant something, out of my experience. This included demos that would evolve into . The Edge recalled it as a difficult period with a sense of . Their plan was to find inspiration from the recording space and use it to musically create atmosphere, much like they did with Slane Castle for The Unforgettable Fire sessions in 1. The large drawing room, with a tall ceiling and wooden floors, created an . In my opinion it was the most rock and roll room of the lot. We had done quite revolutionary things.. So we felt, going into The Joshua Tree, that maybe options were not a good thing, that limitations might be positive. And so we decided to work within the limitations of the song as a starting point. We thought: let's actually write songs. We wanted the record to be less vague, open- ended, atmospheric and impressionistic. To make it more straightforward, focused and concise. Eno and Lanois encouraged an interest in older songs, especially American roots music. More contemporary references included the textural guitar work of The Smiths and My Bloody Valentine. U2's appearance on the tour helped them focus their new material being written for The Joshua Tree. U2 interrupted the sessions to join Amnesty International's A Conspiracy of Hope tour of benefit concerts in June 1. Rather than distract the band, the tour added extra intensity and power to their new music and provided extra focus on what they wanted to say. The 2. 6- year- old's death overwhelmed the U2 organisation, and the band travelled to his native New Zealand to attend his traditional M. Robertson recorded two tracks with U2 that appear on his self- titled solo album. Rough mixes had been created throughout the sessions after each song was recorded to, in Lanois' words, take . Eno and Flood had minimal involvement with the final mixes. In late December, U2 hired Steve Lillywhite, producer of their first three albums, to remix the potential singles. His job was to make the songs more appealing to commercial radio, and his eleventh- hour presence and changes caused discontent among the production crew, including Eno and Lanois. The band told her to put . These tracks, which included . The track was re- recorded as a single for the group's 1. The Best of 1. 98. Bono was the most vocal proponent of the idea, whereas The Edge argued for the 1. His minimalist style sharply contrasted with the emphasis placed on virtuosity and speed by heavy metal in the 1. The Edge views musical notes as . For a given song, White found that by dividing the number of repeated delay notes per minute by the song's tempo in beats per minute, he arrived at e, an important mathematical constant that is used to explain many natural phenomena. Anger is directed particularly at the perceived greed of the Ronald Reagan administration and its foreign policy in Central America. As such, the desert, rain, dust, and water appear as lyrical motifs throughout the record. Most people would take the desert on face value and think it's some kind of barren place, which of course is true. But in the right frame of mind, it's also a very positive image, because you can actually do something with blank canvas, which is effectively what the desert is. So having fallen in love with America over the years that we've been there on tour, I then had to 'deal with' America and the way it was affecting me, because America's having such an effect on the world at the moment. On this record I had to deal with it on a political level for the first time, if in a subtle way. Bono wrote the lyrics for . The story of a heroin- addicted couple was the basis for . His marriage was under strain, in part due to the album's long gestation period, the band were criticised by the Irish media for their involvement in the Self Aid event, and his personal assistant Greg Carroll was killed in a motorcycle accident in Dublin. That year was really a desert for us. The initial concept for the sleeve was to represent where the desert met civilisation. The group stayed in small hotels and shot in the desert landscape, beginning at the ghost town of Bodie before moving to locations such as Zabriskie Point and other sites in Death Valley. This led to him focusing on the background and leaving the band slightly out of focus. That's one of the reasons we look so grim. It was definitely the most serious, I think, that you can photograph a band. You couldn't go any further down that line unless you start photographing graves. One person inserted a plaque into the ground reading, . In 2. 01. 1, Guus van Hove, the director of the Dutch music venue 0. U2's tree. He said that he contemplated calling the production plants to order a halt of the record's pressing, but he ultimately held off. Ultimately, the group canceled the single. This edition rectified the incorrect track splitting between . Rolling Stone wrote, . It's the sound of people still trying, still looking.. He praised the musicianship of the group members, calling Bono's vocals . It judged that the record's . The magazine praised U2 for eschewing ambient experimentation in favour of uncomplicated but layered arrangements. Hilburn noted that the band showed . The reviewer, however, believed the group took itself too seriously, resulting in a record that is . His review concluded, . De. Curtis summarized The Joshua Tree's examination of America both lyrically and musically as such. Indeed, Bono says that 'dismantling the mythology of America' is an important part of The Joshua Tree's artistic objective. Lasting from April to December 1. King, and Harlem's New Voices of Freedom gospel choir; U2 also visited Graceland and Sun Studios in Memphis, where they recorded new material. The band hinted that the stresses of touring led them to enjoy the . Rattle and Hum was an extension of the album, further exploring American music forms such as blues, gospel, and soul. Then, inevitably, U2 got tired of living in their own shadow, and both Achtung Baby and Zooropa chipped away at expectations of the band. When they finally realized there was no escaping their iconic status sealed by The Joshua Tree, U2 mocked it on Pop. By then, though, fans had grown weary of the band's experimentation, and U2 have spent their last two albums trying to recapture the radio- friendly sound of their 1. It ranks as one of the best- selling albums in the US. In 1. 99. 5, the RIAA certified it 1. The publication said, . It was U2's best position on the list. This image became a target for derision after the band's critically maligned Rattle and Hum project in 1. They incorporated alternative rock, industrial music, and electronic dance music into their sound, and adopted a more self- deprecating, flippant image by which they embraced the . All editions included a booklet with liner notes by author Bill Flanagan and . As always, the band had to make sure it was right, and now it is. Some formats include expanded liner notes from the band members, the production team, and Anton Corbijn. The edited single version of . The disc includes Live from Paris, an 8. July 1. 98. 7 that was originally broadcast on British television in celebration of the 2. Island Records. The two music videos are an alternate version . Footage of U2's alter ego country band, The Dalton Brothers, is included on the disc as an Easter egg. They are listed based on the band members' and producers' accounts of the sessions.^The band members' instruments are not credited on the album's liner notes, aside from The Edge's backing vocals and Bono's harmonica. Their primary instruments are listed based on their accounts of the album's recording and their de facto primary roles in the group. Footnotes^ abcdefghijkl. King, Philip, and Nuala O'Connor (directors) (1. |
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December 2016
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